Anton Bialas
Presented at Cannes Critics' Week, Berlinale, FIDMarseille, and more recently at Bourse de Commerce de Paris as part of the exhibition "Clair Obscur", the films of Anton Bialas portray marginal beings who transgress reality. At Providenza, he continues the writing of his next film, "Agony in the Palace", which recounts the final days of an autocratic regime and the contamination of power over bodies and minds.
Providenza.
I came alone
I saw the utopia
I drank
my thirst and beyond
I laughed
I wrote dizzy
I wrote sharp
I fell in the waterfall
I lost a bet
I listened to the owl
I confessed to the heat
I devoured
some things
I missed
someone
I played along
the scent of flowers
I danced
with new friends
I screened a history of darkness
I dove
in the cold well
I said
goodbye
I saw the utopia again
I saw it better in the dark
better in the dark better in the dark
During my residency at Providenza, I worked on the screenplay for a feature film entitled Agony in the Palace (co-written with Guillaume Bréaud). Set within the confines of a declining autocratic regime, this chamber drama explores the mechanisms of power, its staging, and its toxicity. The film approaches power as a disease, immersing us in a contaminated organism as it progresses toward its terminal stage.
The video Be Careful What You Wish For, created during the residency, echoes the themes that run through Agony in the Palace. Conceived as a triptych, it juxtaposes the fascination exerted by power and its theatrical pageantry with its inevitable decay and fundamental moral ambiguity. It features Marilyn Monroe, a Western dictator, an emperor with a charred face and body, a birthday cake, and a nuclear explosion—figures and motifs that form a single constellation in which spectacle, desire, power, and catastrophe become inseparable.











































































Credits
Portrait : Doriane
Video : Be careful what you wish for by Anton Bialas - 2026 - 02:08